Graduated in textual interpretation from the ESAD of Seville, he is part of the XI International Actor's Laboratory TNT-Atalaya where he trains with teachers from different theatrical traditions around the world: Kathakali, Comedia dell'Arte, Balinese theater and Candomblé from Brazil. In 2008 he moved to Paris to continue his search for a theater that is based on movement and after two years of studies he graduated from the Jacques Lecoq International Theater School.
Co-founder of 38CIT, a large-format and site-specific company, and of Desaxes du Mambo (clown and street theater), he participates in a version of Bulgakov's The Master and Margarita, with which he experiments with new possibilities in the scene/audience relationship. In parallel, he works with directors such as Maurice Barthelemy in cinema or Nicholas Bouchaud in theater. In 2012 he participated in the Paris Autumn Festival with Deux Labiche de Moins, staged by Bouchaud, and in the Premier Pas festival at the Théâtre du Soleil with Ne parlais jamais avec des inconnus.
During the last few years, now back in Spain, he has been part of the TeatroLAB Madrid company, directed by Gabriel Olivares, where he adds stage movement consulting and actor training to his work as a performer. This facet is extended to other companies and production companies, currently adding twenty directorates of stage movement (Our Town, Gross Indecency, Las Hermanas de MAnolete, Tragedia Española, Jubileo, Martirio, La Cuenta and We Will Rock You, among others). )
It is in this last stage where he comes into contact with the Viewpoints technique and the Suzuki Method of Actor Training. His deep interest in the latter leads him to train in the SCOT (Suzuki Company of Toga) summer program in Japan during the summers of 2018 and 2019 and with Kameron Steele, training that he currently shares in workshops with professional actors and students. In winter 2020 he is invited by SCOT to return to Toga to deepen his training with the company. In 2022 he participates in international training again, this time training with Mattia Sebastian (ISCOT) and Ellen Lauren (SITI Company).
Since 2018 he has collaborated as a movement pedagogue at the Nouveau Colombier International School of Gestual Theater and teaches Movement Analysis workshops. He has collaborated as a trainer in Movement and Gesture subjects at Aisge, Cuarta Pared, ESAD, Escuela Victor Ullate, Fundación Psicoballet, among others, as well as with the MB2 Center and University of Antofagasta (Chile). In 2022 he joins the teaching staff of the master direction of Nave 73 in the field of body technique and stage choreography.
As a director, he covers and releases The Paper Rose by Valle Inclán (2020) and Perlimplín Tragicomedy Guiñolesca, based on the work of Federico García Lorca (2021) as part of a personal process of searching for dialogue between body techniques and fundamental playwrights of Spanish theater.
As an actor he is part of the cast of Our Town (2017) gross indecency (2018) Ding Dong and Four Hearts (2019) from TeatroLAB Madrid. Works under the direction of Pedro Casas at Mr. Smith's Company in Mr. Smith's night and in IF (Lightness) Just as in Afterglow. From 2016 to the present she has been in the cast of Burundanga directed by Gabriel Olivares.
In parallel, he develops stage research projects such as Masks, Maps, Marks y Rules in collaboration with the 26d Foundation o Uses and customs in modern society of Lagarce.
